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on July 17, 2012July 17, 2012

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Reviews

“What sets WhiteWolfSonicPrincess apart is their ability to weave narratives into the music without losing an ounce of visceral impact. Each track unfolds like an incantation, with poetic lyricism that resonates deeply. The interplay of voices—sometimes haunting, sometimes soaring—adds to the album’s otherworldly feel, reinforcing its ability to transport listeners to a place where sound and spirit merge.” –Heat Waves Magazine

“Starting with a thunderous rhythmic beat and smouldering tone, Child of the Revolution brings us a moody rock groove with elements of historic musical moments that engulf the listener in a nostalgic surround.” – Ava Radio Live

“This group brings together experimental and psychedelic rock elements into this theatrical and expansive world and I feel like that’s a brilliant combination of energies, textures, and approaches.” – The Sounds Won’t Stop

“The ensemble’s instrumentation is nothing short of dazzling. From Nura Aly’s haunting violin that echoes with Celtic mysticism to the dual-bass foundation laid by Michael Hovnanian and Tim O’Brien, each layer adds texture and depth. Chuck Wasserburg’s electric guitar introduces searing yet melodic elements that traverse bluesy riffs and psychedelic washes, while Steve Rutstein’s steady drumming and Randy Farr’s dynamic percussion and harmonica anchor the album with irresistible grooves.” – Austin Sher – We Write About Music

“There’s a certain alchemy that happens when music transcends mere sound and becomes an experience—an immersion into a world both familiar and entirely new. That’s what I felt when I first listened to whitewolfsonicprincess’s Love Without Fear.” – Michael Filip Reed – Indie Boulevard Magazine.

“…to travel with whitewolfsonicprincess in “The Alternate Boot” is to float in a dream and destiny of magical thinking, ethereal musicality and images of promise… and we all arrive together.” – Pat McDonald, HollywoodChicago.com

“… Music that is so driving, surging, muscular and vivacious… these songs become magnetic and unforgettable.” – Liam Heneghan – The Alternate Boot

“Yes – the cover is really good.. one sees the whole truth only when seeing the whole picture … plus… it’s really difficult to pin down the music on the CDs … yes it’s Folk … well.. Folk-Rock but still it’s more a unique version of this and not what I hear inside when I say “Folk-Rock” – Berlin-Based DJ, Lord Litter

“A brooding, though engaging effort, filled with sacred and destructive imagery…” – Terry Flamm at Broken-Hearted Toy on The Shadow of the Marigold

“A bit hippy dippy, but not without it’s charms… something out of 1970’s Sherwood Forest…” – Richard Milne – Local Anesthetic, WXRT on The Shadow of the Marigold

“Folk-e-delic with a heavy 60’s touch… a lost classic from the Freak days…” – Lord Litter – Radio Marabu on The Shadow of the Marigold

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