2013_01_26_GalleryCabaretThe never-ending city tour continues. Our first whitewolfsonicprincess show for 2013 was at the Gallery Cabaret last night. A pretty amazing little club, funky and sort of “bohemian;” which is just about the perfect setting for our band. We were on a bill with Christina Trulio and The Gunnelpumpers. Lots of cool sounds.  It was a great mix of music. We were smack dab in the middle of the bill, book-ended by Christina’s gorgeous “cowboys and brazilian” songs and the Gunnelpumpers over-the-top, improvisational madness. When it was our turn, we played a tight set, my new Seagull acoustic guitar (Love that expert Canandian build quality!) sounded big and full, and our bass player’s new fret-less bass added a smooth shimmer to our songs. We were all inspired by the sound on stage. The Cabaret is a very lively room. When Douglas Johnson joined us on Clevinger bass, it pumped up the adrenaline level a notch or two. Carla’s vocals were soulful and resonant. Rich backed it all up on drums, adding an extra, big-time wallop on that little wooden stage. The crowd was friendly, attentive and very generous with lots of words of praise. Good vibes all around. An excellent start to the new year!  – Jammer

Postscript: The Desiccated Old Blackbird, talking about our show last night: “Jimmy, it was great seeing you without that fucking hat!”

 

Our show at Lonnie Walker’s Underground Wonder Bar over the weekend was electric, and exhilarating. A classic Jazz Lounge, a great place for music. Two levels, three stages. We played in the basement; a friendly and cozy room. A handful of friends came out to see us, but there was also a roomful of strangers. And the folks that came out were serious about having a good time, and serious about listening to live music.

It was a special show, we had Douglas Johnson of the Gunnelpumpers sitting in with us on Clevinger Bass. Doug is a virtuoso on the instrument, and in two rehearsals he really found a sweet spot in the sonic spectrum of the band. Doug plays the Clevinger with a bow and sometimes it sounds like a cello. He also has an array of effects pedals and I was reminded of some of John Cale’s sonic experiments; haunting drones and wild excursions with reverb, delay, and wah wah.

If  you know me, you know that energy is the thing. And the band is all about the group energy. Playing live, you bring that energy to a room, fill it with people, and suddenly you are creating this expanding vortex of creative vibration. When all the elements are there, it can be transcendent, and incandescent. It’s what we all feed on. It drives us and inspires us. Yes, and the music focuses and concentrates the energy, and it can light up everyone in the room.

We played two sets. We really had an opportunity to stretch out, and the band just smoked. Everyone really brought it. I am so proud of our little band. Of course, every band has a loose cannon, a wild card, a weak link. I think in our case, that would be me. I always have something going on: dropped pick, broken string, out of tune guitar, shorted-out guitar, loose cable, kicked cable… the list continues to expand. This time my little tube amp blew out. It just fizzled out after a few paltry notes on my electric guitar. But you know what? The band didn’t hesitate, they just seized the moment and vamped away on some moody little jam until I got it together on my acoustic guitar. Nothing could stop us, nothing could kill the vibe of the show. And that’s a very, very cool thing. – Jammer

photo by Karen O’brien